#described under the cut

[foolishfoolsgold]

Rough draft for the shirt hehee

ID and Orange ver under the cut

Orang

[Start ID: stylized lineless design featuring Eosinophil from Cells at Work. The background is solid pink, and everything else is flat white. Eosinophil is in the center, jumping in the air and holding her spear, as if about to strike with it. A shining ball of light is seen between the two prongs of the spear. Eosinophil has minimal detail outside of clothes seams and folds, and the only details on her face are featureless pink eyes that match the background. Bold text in all caps that simulates an advertising poster reads: “TRAINED and CERTIFIED, THE BODY’S MOST TRUSTED SINCE 2005: DRAGON SLAYER. THE LEGENDARY LEUKOCYTE: EOSINOPHIL! WE HANDLE: PARASITIC, ALLERGIC, FUNGAL, BACTERIAL, INFLAMMATORY, AND MORE! CALL US AT 1(800) EOS-SNPL FOR A FREE QUOTE TODAY!” All of the other text is morphed around the design, but “DRAGON SLAYER” is enlarged and put so Eosinophil is in front of it, but it’s still legible. The second image shows the same design, except the pink is replaced with yellow-orange. End ID.]

[jijingka]

hi! updated my commissions info, rbs appreciated!

transcript: commissions info by ellie @jijingka

simple: lineless or lined + flats = $15-20/P800-1K.

complex: fully lined + colored = $25-50 / P1.4K-2.8k.

extra character: $7-10/P400-500.

backgrounds & extras: FREE = mobility aids, plain/pattern background. +$7/P400 per: simple background, frame, props. nonhuman characters OK!

terms & conditions:

★ prices are USD or PHP (Paypal or GCash)

★ i will send 1-2 updates (concepts and/or rough sketch) with up to 2 edits.

★ may take ~1-2 weeks to finish, any longer and i’ll update you!

★ final product will be emailed as PNG image

★ on refunds: 100% is okay before commission is started, 50% after rough draft, none after rough draft approval

‪★ negotiations are fine, but i may refuse commissions for any reason‬

contact me at: @jijingka on Twitter or Tumblr, or jijingka@gmail.com

[magpiedraws]

Wouldn't lizard fashion be something like spikes and scales and a frilled lizard collar?

Like so?

(Bonus art under the cut)

[ppeanutz]

more like deadpool/wolverine amirite

more art + WIPs on my ko-fi

[littlesliceofimmortality]

JUNE OF DIALTOWN - DAY ONE: PRIDE

[ID: From left to right are Norm, Randy, Oliver, Gingi, and Karen: all from Dialtown. They are all walking down Downtown and wearing various items sporting different LGBTQ+ flags.

Norm has on a progress flag cape, and has a bear flag pattern on his bandana. He is seen visibly sweating in his astronaut suit and cowboy hat, fanning himself with butch flag-colored fan. Her expression is disgruntled.

Randy leans on his arm crutches for support as he walks forward; on his usual jacket are a bisexual pin, a genderqueer pin, and a trans pin. She appears tired but cheerful.

Oliver has his flannel unbuttoned with a tank top underneath, along with shorts. He has a Gilbert Baker rainbow sticker, an aromantic sticker, and objectum sticker on his phone receiver. There are five beads on his fez that make up the colors of the trans flag.

His right hand is in his pocket and his left hand holds a leash, which is attached to a harness on Gingi's back as it crawls on all fours. They both appear content, although Gingi has a more zoned-out expression. Gingi also has on a collar, with the colors of the polyamorous flag and a heart tag.

Karen has on a drawstring backpack, and is smiling as she gives a thumbs up. She has two bracelets on, one with the lesbian flag and the other with a repeating trans flag. Like Oliver, they also wear more summer-y clothing, with short sleeves and shorts.

/End ID.]

[coastalmangoes]

x

anyway if you love v4v go read This is How You Lose the Time War

likewise if you love time war consider playing ultrakill

transcript:

“Hunger, Red—to sate a hunger or to stoke it, to feel hunger as a furnace, to trace its edges like teeth—is this a thing you, singly, know? Have you ever had a hunger that whetted itself on what you fed it, sharpened so keen and bright that it might split you open, break a new thing out? Sometimes I think that’s what I have instead of friends.”

a digital comic, sketchy colored lineart over a black background. V1 grabs V2 and traces its fingers along its chest as it monologues. As it describes its hunger, we see v1 splattered in blood and a massive fanged maw erupting from its body.

[penguinkyun]

アイドル or 偶像?

oshi no ko c.9 / IDOL by yoasobi key visual / 45510: OnK Side Story / Appetite of a People Pleaser (GHOST) / oshi no ko c.8 / oshi no ko c.100.1 Artificial Girl / Bloodborne, The Doll / oshi no ko c.137 / idol, definition

[iceicewifey]

so um... i found a pose reference that gave me big vanishay vibes, but then i got carried away then tried to turn it into a lore moment for some reason? 😭

i don’t totally like how his arm looks plus i couldn’t get him low enough because the height difference was making it a really awkward angle, but that’s what i get for copying the anime style again... it’s janky but close enough lmao full disclosure vanilla's bangs and face are heavily referenced bc they were giving me the most grief to copy, no thanks to all those damn little LINES. reference + transparent vers. under the cut!

𝚝𝚊𝚐 𝚕𝚒𝚜𝚝 :: @goblinselfshippr、 @over--heaven、 @spookysinner45、 @little-miss-selfships | join my tag list ᡣ𐭩

can’t find a direct link since i saw it on pinterest (💔) but it’s by mellon_soup!

[talos-stims]

playing guitar in the dark

x | x | x

x | x | x

x | x | x

ID: nine gifs of guitars being played in dark rooms. one gif shows a very shiny guitar reflecting a small amount of light, another is shot from inside the guitar, looking through the strings. three of the gifs are lit in orange light, two are lit in red.

[frogs-in3-hills]

fanart for T33la’s lovely fic, Flipbook. please give it a read! it’s an achingly warm exploration of a much-needed conversation post-SAINW, and is filled to the brim with evocative prose and dialogue. ^_^

[Image ID: A two page digital comic with a painterly rendering style. The color scheme transitions from dark blues and purples at the top to a red orange color at the bottom.

Page one: The upper portion centers a far away planet earth with clouds swirling around it. The clouds expand and show sketches of different scenes from the story. The first scene in the top left is of Donny working at his cluttered desk with a thoughtful expression, chin resting on one hand and a pen in the other. He works on a small drawing attached to a pegbar. The second scene in the top right shows a paper airplane flying in front of a dark sky. The third scene shows Mikey reaching down between machinery and pipes to grab the flipbook with a curious and somewhat awed expression. The fourth scene shows Donny and Mikey lying on the floor and hugging tightly, both looking like they're crying. The fifth scene shows a memory from the future. Mikey stands with his shell to the camera, his severed arm barely visible, while Donny stands beside him, looking back with a mournful expression. Their figures are silhouetted against an electric sky. Below all of these scenes, earth moves incrementally closer until it fills the bottom of the page. A balloon flies above it, the string twisting along with the clouds.

Page two: The bright clouds from the previous page extend into this one, crawling down the sides. The top half shows the inside of a helicopter cockpit. Donny and Mikey are huddled together, their masks pulled down around their necks. Donny leans his head against Mikey's shoulder as Mikey thumbs through the flip book, both of them watching it quietly. Below this scene, a humanoid robot in a sketchy pen style stands from a bird's eye view. It looks like the robot has been cut out from a piece of paper and pasted into the scene. It reaches out to hold the balloon string. It's surrounded by patches of grass, sunflowers, and a few large trees that frame the edges of the page. The warm color palette relays a sense of peace. End ID.]

[p2ii]

Yea...

[foolishfoolsgold]

Out Here Chasin’ Rhapsody

AGJDHWIDMJJJJJJJJ ITS DONE! This is gonna be the cover for my personal project fic, called Cells at Work: Rhapsody Chasers!! I would’ve put the title in here but copyright scary. But I had SO MUCH FUN drawing this, this is genuinely the first time I’ve taken backgrounds seriously and I wanna do MORE!! The characters featured here are Verdant (green thing, lactobacillus) and Joe (the other Thing, T cell) and a bunch of background Things. HEFTY ID under the cut as well as a version without the characters.

Time taken: 15 hours, 34 minutes

Program: IbisPaint X

Brushes: primarily Japanese Calligraphy (blurring), airbrushes, gauze, and pen (fade).

Layers: 49

Who tf are these clowns??? MOVEEEE I’m trying to look at the cityyyyy

There we go

[START ID: Image above the cut is a fully colored, rendered and shaded scene of a city/downtown area at night. In the foreground are two characters, one is lizard like with green scales, fins on her head and elbows, webbed talons, teal eyes with multiple pupils, and is wearing a yellow tee shirt and khaki shorts. She’s smiling and looking back at another character, who’s wearing a black work uniform with a cap that says “KILL” on it in bold white letters. She has long ears without holes and brown stripes all over her light peach skin. Her eyes are closed and she’s smiling with her mouth open, as if she’s telling a funny story. She doesn’t appear to have bones, and a skinny brown tail can be seen behind her. She’s walking beside a tan wall around a corner, which has a blue rain gutter, a vent, and a flyer on it, as well as an arrow that was shot into the wall higher up. Farther behind the characters is a lit-up cityscape, including a store called “Lake Mucosa Coffee Co,” inside which both of its floors can clearly be seen, full of more of these boneless creatures resting, ordering food and working on their laptops underneath “trendy” light fixtures. On the outer walls of the second level, light features representing trippy-looking (real) cells are fixed. Outside the store is a chalkboard, a poster for pink boba tea, and a map, which two red blood cell creatures are looking at, showing a diagram of the human circulatory system and a yellow “you are here” star by its nasal region. Two red cars are on the road between the characters and the stores, one is parallel-parked and the other is a driving blur. Two street lamps are along that sidewalk, with a third implied by the light ahead of the characters. The second image shows the same scene, except the characters are crudely drawn and being shoved out of the way by an arm coming from offscreen. The third is the same image with no main characters as all. In all three, a watermark that reads “FeS2, FOOLISHFOOLSGOLD” is fixed in the top right corner. End ID.]

[tapestryundone]

constantly thinking abt the long quiet and the shifting mound and their relationship w humanity. because the two are very much not mortal and even in the what happens next ending its very ambiguous if they ever WILL be or Can be. but even still they have both felt what its like to be mortal

i feel like its vague if the entity the two used to be even percieved its own existence. the way the narrator talks about it makes it seem like the two only existed conceptually and as a result lacked a complete sense of identity, and didnt need to, and wouldnt want to. but in the same way a thought cannot be unthought, the narrator gave them a glimpse into what it felt like to be mortal and the two can never un-know it, even if it wasnt exactly the same

the long quiet in particular seems especially tied to humanity and in some aspects seems to want to BE human (which feels so potent given how decidedly Not human he is). the game tends to imply that every option you get is a thought he DOES have, and in the spaces between, the choices dont seem as influenced by a given voice, which highlights even more how much he feels conflicted on his own nature that he gets Multiple options to express discomfort with himself being a god

it just gets to me how one of the options during the fight is literally "appeal to your shared humanity". because even if the two are gods, their separation and reshaping has given them humanity that they can never un-feel. for how much the shifting mound grieves what she once was, she cannot will her humanity away. shes mourning what the two of them once was and is desperate to have it back at any cost, even though they can never be together how they once were.

even if the long quiet goes with her, theyre still apart and lack balance, because the two once just Were and werent two parts. they werent both halves, they werent two concepts, they were just one concept that happened to, by human eyes, consist of two halves. and the narrators insertion of humanity into the mix in order to separate them, separating them into concepts that humans understood, manually put into existence a struggle for equilibrium where that balance had simply Existed

but theyve already perceived what felt like reality and can never un-see it. they were separated and Need the other to feel whole and for reality to BE whole but the moment that either of them realized their own free will, the moment the two fully came to feel like people, they could never be together the same way once again

im struggling to come up with a metaphor that isnt silly but its like if you took a piece of fabric and cut it in two and made them both into shirts. youve added a piece of humanity into them and doing so cost its original form. to take them apart and try to put them back together would never get you the original, whole piece of fabric back, because theyve been completely changed by their own unique destruction and reconstruction

they were separated in a way that gave them humanity that they have such conflicting feelings on. both seem to have a deep love of humanity but vastly different ideas on what humanity needs to thrive, because its in their natures

in order to get one to kill the other the narrator let the long quiet interpret the both of them as mortal. and for a being of perception and an god thats being lied to, this became part of their limited view of the world, on top of all the other reasons that the two gained humanity. the long quiet couldnt be told what to do if he didnt have the ability to potentially act on the narrators desires, and the shifting mound could never die if the long quiet didnt believe her to be capable of death

the narrator gave the two humanity and the shifting mound is very reasonably distressed by this. because the two of them never asked for this but they cant undo it. it is her OWN subtle desire for things to be the same as they used to be, her own piece of that stagnation that also led to her experiencing humanity, that makes her so adamant during the fight. she misses the long quiet and wants to undo a change that cannot be undone in search of a constant state of being that was taken from her

and the long quiet felt so closely tied to mortality, both its existence and absence, that no matter what, he wants to aid humanity. but hes been lied to and denied autonomy to the point where he doesnt know what that entails. but he wants to be a part of it. he was given fake mortality and cant seem to figure out how he feels

the shifting mound is set in how she feels it best to aid in the existence of life. she is stagnant in her feelings because its all that feels right to her. the long quiet is ever-shifting in how he feels it best to aid in the existence of life. he is changing in his feelings because its all that feels right to him

getting to the heart of the shifting mound allows them a moment to discuss it as the closest they can get to mortals. the two care about their impact on life and what it means to be alive and what better way for the two of them to truly decide what they want to do about it, outside of the conflict thats been forced between them, than as the mortals they never were?

[possiblyfunny]

Hello again, fellas. (And to whoever is actually interested in looking at my weird little AU-) Sanctuary has been on my mind lately and uhhh, I’d like to introduce you to some new characters!

Meet the Eventide Duo: REI and KAI!

I, like with Aster and Del, have never drawn them before, and because I honestly didn’t have it in me to do two full-body drawings with color and everything, doodling them was the next best thing. I’ve been thinking about these two a lot and just really wanted to get them down as a start. Soooo—this is their first pass and things are subject to change! (Please excuse the messiness-)

Rei (the Red) and Kai (the Blue) come from—okay this is kinda funny now that I’m writing it out—their AU was inspired by an FNF fan song that I heard awhile back. It was something like “Frostbite but Blue.” The person who made the song (I don’t remember their name off the top of my head) said they were going to post the lore, but as far as I know they never did, so my brain kinda took the concept and ran with it—making it into my own story. (Sorry to whoever that was-)

Rei is the fledgling god of the Sun and the Second Coming of Arceus. He ascended to godhood after his untimely death, returning to earth to protect the one he loves. Rei may look like a massive grump, but in reality, he's a ray of sunshine and one of the most warm-hearted and protective people you'll ever meet. Kai is still a Pokémon Trainer, but he’s also Rei's singular devotee. He's honestly pretty quiet for a Blue, if not a bit high-strung, but he's loyal and sweet, even if he has a bit of a hard time showing it.

The both of them worked together to survive the violent floods and rainfall that devastated their original home, and now live a quiet life together in Sanctuary, going on little adventures here and there to try and reclaim the life they lost bit by bit.

(Okay, time to tag my one fan. @100nebulas , I think you said you wanted more Sanctuary content in general that one time, so I guess you’re gonna be eternally tagged in these lmao. Hope you enjoy :])

[thejasontoddarchives]

Nightwing (1996-) #119

Batman (1940-) #410

“Now kiss”

[wormthing]

Android designs of Selene and The Works. (Might be stretching the definition of android here lol.)

Some designs thoughts!

Selene is a research computer on the Moon. So, I gave her wheels inspired by lunar rovers for rolling across the rough terrain. Her lanky limbs are for gently reaching around and picking up samples. I'm not sure why I was so set on giving her a cape, but it can shield her inner mechanics from debris and rays. If I put more thought into it I would've given her compartments for storing samples too...

Her face design inspired by the moon (I'm a sucker for the half-moon-face design choice lol), but one idea is that she has a silver halo to illicit a full moon.

The Works is a military computer on the Earth. His design is more robust and clunky, sort of cobbled together over the years without any humans to maintain him. Colour-wise, inspired by those tan computers from the 1980s and camo patterns. He's a bit rusty and corroded. The hexagonal shelves of computing are pulled right from the script (only, in the script he takes up a whole room, so the hexagons are all over the floor).

His face is inspired mostly by his faceted face display, but I think a screen head would be nifty as well.